When my family and I rent a car and drive through Montréal, we play a game of looking out for works by a graffiti artist named Kong. His pieces are cute, but that’s not really the point. The appeal of his work is that he does his pieces in the craziest of places. Sometimes they’re on bridges, sometimes on the side of buildings. We always wondered how he did his pieces, that is until we found this video.
Listening to the audiobook for Sand Talk, How Indigenous Thinking Can Save the World by Tyson Yunkaporta, I came across this passage which discusses a sort of spirituality which resonated with me:
There are at least four parts to your spirit, from an Aboriginal point of view, and this shadow is only one of them. Your highest self may be what they call the “super ego” in psychology is your big spirit, and it goes back to sky camp when you die. …
Your shadow spirit is that part of you that wants things you don’t need and makes you think you’re better than other people and above the land, and it takes all the other parts of your spirit to hold it in check. If the rest of your spirit is not clear and in balance, it gets away from you, causing conflict and destruction. You gossip behind people’s backs, spread uncertainty, deliver judgements, or upset people, take more than you need, and accumulate goods without sharing. It makes you a competitor instead of a human being. But only when it’s out of balance. If it is checked by the other parts of you, it becomes a stable ego that drives you to act upon the world in perfect ways. You don’t know what you’re going to do, but you’re going to have to do it in a way you’re You need to believe in ghosts to balance spirit and live the right way in this world. You can use any metaphor you like. For example, ego, id, superego, persona. Frontal lobe, monkey brain, neocortex, and lizard brain. Athos, Porthos, Aramis, and d’Artagnon. Harry, Ron, Hermione, and Malfoy. Monkey spirit, pig spirit, fish spirit and tripataka. Matthew, Mark, Luke and John. Whatever stories your cultural experience offers you, you can still perceive spirit through metaphor and bring it into balance to step into your designated role as a custodian of reality.
This idea of accessing spirituality through metaphor really resonated with me.
This is a bit of a touchy subject, but one that is important to discuss, especially considering the disastrous results of the recent U.S. election. Media analysis show On The Media reran an episode of theirs entitled ‘Why Men and Boys are Struggling‘, which features an interview between host Micah Loewinger and author Richard Reeves:
Micah Loewinger: You write about how many advised you against writing this book. I also want to acknowledge the cognitive dissonance of the thesis and the book that some listeners might identify, which is that men and boys are struggling at a time when men still very much run our society. There are many ways you could quantify this. There are three times as many men in Congress than women, less than 10% of the Fortune 500 companies are run by women, and casual misogyny is pervasive throughout our culture.
…
Richard Reeves: The way you ask the question depends on where you look. If you look at the apex of our society, it’s absolutely true that there’s still a long way to go. I would say, especially in the US in terms of female representation in politics, for example, and in boardrooms and in other areas of society.
If we look further down, then we see a very, very different picture. For working-class men, for black boys and men, those with less economic power, there’s a very different story. It can simultaneously be true that men at the top of the distribution are doing better on many fronts, including in terms of earnings. It can also be true that most American men are earning less today than most American men did in 1979. This is very much a class and a race story.
…
In 1972 when Title IX was passed to support women and girls in education, men were about 13 percentage points more likely to get a four-year college degree. Today, women are 15 percentage points more likely than men to get a four-year college degree. There’s been this huge overtaking in education. We also see that in high school, where girls account for 2/3 of the top 10% of students ranked by GPA
Much like the Democrats running their recent presidential campaign on the premise that “the economy is doing great”, while ignoring the fact that most of the middle class is struggling with housing and food costs, I think these issues are important to at least address.
Today I learned about the existence of oxbow lakes. These are pockets of freestanding water left over when a river meanders away, leaving an echo of the river from a previous course.
Elizabeth Kolbert, author of The Sixth Extinction, writes an intriguing piece about plant cognition in The New York Review of Books. She writes:
Several recent books contend that the latest discoveries in plant cognition are so significant they force us to rethink our view of life itself. Depending on how you look at things, this prospect is thrilling to contemplate or nothing less than tragic.
It goes on to describe some examples of complex plant behaviour:
Plants communicate with animals as well, sometimes honestly, sometimes not. Corn plants that are being nibbled by caterpillars release chemicals that attract parasitic wasps. The wasps lay their eggs inside the caterpillars, killing them
A silly diversion before a very important election.
See also: Powers of Ten.
From the dearly departed XOXO festival, which I sadly was never able to attend. Erin Kissane talks about the degradation of the social internet and her own role in the remarkable Covid Tracking Project.
Randall has a way of making me think about things I never considered before. Now when I turn on the tap that provides near-infinite clean drinkable water I’ll think about how crazy it is that it just works.
Here is a classic short film from one of my heroes, Scottish/Canadian filmmaker Norman McLaren. It’s haunting, beautiful, and was groundbreaking for 1968.
Four years earlier, in 1964, McLaren (with Grant Munro) used essentially the same technique of overlaying film to create something with the complete opposite vibe, which is one of my favourite short sequences of film, the second half of his hodgepodgey film Canon. The relevant bit starts at exactly the 4:30 mark:
The difference in these two clips shows one of my favourite aspects of McLaren’s work: his flexibility. They both use essentially the same technique in different ways to create a very different effect.
