Elsewhat

The New Yorker has a nice little profile on Robert Cumming, an absurdist photographer I had never heard about. His pieces are whimsical and silly, like the above piece entitled “Watermelon/Bread”.

As an artist, he was an inveterate tinkerer who, for a period, taught himself a new fabrication skill every year, which would later come in handy when making the props that he used in his photographs. He was stubbornly inquisitive, often following his ideas wherever they led him, even—or especially—if it was impractical or absurd.

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Via Rafa

Today I learned that the heavily fortified border between India and Pakistan, a fenced-off no-mans land lit at night by arc lamps, is visible to the naked eye from space.

The above was taken from the ISS.

Via NASA →

A simple idea, beautifully executed. The England-based photographer takes sequences of bird flight and combines them into composite images that track the motion of the entire flock. Above, a predator makes a brief chase of this massive murmuration.

The artist writes about the way these birds avoid predators by moving together:

By diluting the risk as the group size increases, the chance of any one individual suffering predation decreases and many eyes means that vigilance increases with the number of individuals.

Most aerial predators (sparrowhawk, peregrine falcon for example) hunt by targeting a single bird. The confusion caused by the constant movement may hinder their ability to lock onto an individual.

See More Here →

Which came first—the parking spot or the pole? Either way, this seems like someone messed up.

Street art by unknown artist.

Macro of Gomphaceae mushroom

Found in an alley in Montréal’s Rosemont neighbourhood.

Pleasing light and textures found in the corner of a studio sale.